Kanye West knows how to get attention. To announce his upcoming summer album, reportedly due on June 18, the Chicago-born rapper will project the video to his new single "New Slaves" on the sides of buildings in ten cities around the world. Already the black and white film of his Big Brother–like face delivering the song has appeared in New York City, as reported by Pitchfork.

Here's where you can check it out tonight in Chicago:
Wrigley Field; 9:50–10:05pm
Chicago History Museum; 10:35–10:45pm
North and Milwaukee Aves, Wicker Park; 11:15–11:25pm
University of Chicago Music Department; 12:15–12:30am
Field Museum; 12:55–1:05am
The Art Institute of Chicago; 1:30–1:40am
505 N Michigan Ave; 1:50–1:55am

Hurry. It's starting soon.

UPDATE: Watch a recording of the video. West sings, "I'd rather be a dick than a swallower." Bring the kids! Also, he sings falsetto?

Yesterday, Mayor Rahm Emanuel announced a plan to spruce up Chicago's downtown lakefront. The $1.1 billion project includes a new arena for DePaul University across from McCormick Place, a boutique hotel, flyover bike paths and a $278 million face-lift for Navy Pier.

It remains up for debate how much a 10,000-seat basketball arena for a team that hasn't won in years—soon to be playing schools like Creighton and Butler in a crumbling Big East Conference—will do to boost the economy of the South Loop. At least Fall Out Boy will have a new place to play.

The rehabilitation of Navy Pier is far more intriguing and overdue. The new construction, expected to begin in fall, includes a fountain, an expanded Children's Museum and more restaurants (whether those will be themed after Tom Hanks movies has not been disclosed).

Potential Navy Pier upgrades were initiated two years ago. We put together a feature about it, and envisioned 15 fantastical fixes for the tourist magnet. Compare our vision (pictured above) to the city's concept. We hoped for a water park, soul club, doughnut factory, microbrewery, floating car silo, storefront theater, skate park and more. But, you know, a fountain that transforms into a skating rink is cool, I guess.

"They Seek a City: Chicago and the Art of Migration, 1910–50" | Art Institute of Chicago
Rarely seen works by artists such as Elizabeth Catlett reflect the experiences of the hundreds of thousands of people who moved to Chicago to escape persecution or poverty in the South, Eastern Europe and elsewhere during the first half of the 20th century. Through May 23.

"Amalia Pica" | Museum of Contemporary Art
In her first major solo museum exhibition (co-organized by the MCA and the MIT List Visual Arts Center), the London-based Argentine artist examines communication—in particular, the act of listening—and civic participation through drawings, sculptures, installations, projections, large-scale photographic prints and live performances. Incorporating simple materials such as flags, banners, confetti and brightly colored drinking glasses, her works are not only thoughtful but beautiful to behold. Through Aug 11.

On Youth Lagoon's latest record, Wondrous Bughouse, Trevor Powers looks inwards while channeling a lush, psychedelic sound that envelops his abstract odes. It's a slight departure from the intensely intimate anthems that populated the 24-year-old's debut record—songs which were characterized by a sense of immediacy and honesty.

Playing to a dense crowd at the Metro last night, Powers and his band seemed intent on letting their newest compositions breath, making their way through a set filled with extended interludes and outros. Easing into the woozy shuffle of "Mute," the group began the evening silhouetted by an array of multi-colored lights that illuminated a backdrop of large white sails. Stationed behind an array of keyboards, Powers casually conducted each track, occasionally picking up his microphone to belt out a particularly impassioned verse.