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The Unspeakable Act | Movie review
Leviathan | Movie review
Stories We Tell | Movie review
Sightseers | Movie review
Pieta | Movie review
Star Trek Into Darkness | Movie review
Movie moms: the 50 most classic movie mothers of all time
Something in the Air | Movie review
Love Is All You Need | Movie review
Film
“One of the funny things about being in love with your brother is that you can say almost anything you want about him,” proclaims Jackie (Tallie Medel), the protagonist of Dan Sallitt’s drama about a young woman smitten with her sibling
Film
The first and only piece of advice needed on one’s way to the fishing pond is this: Bring your patience
Film
She used to be one of the more alluringly damaged actors in movies (e.g., The Sweet Hereafter; a strong remake of Dawn of the Dead), but Sarah Polley has evolved into a director who can’t settle for mere feel-badness. That’s something to applaud in itself
Film
Why are British filmmakers so good at killing off actors while making audiences laugh?
Film
The world – well, a tiny fraction of it – last saw South Korean filmmaker Kim Ki-duk (The Isle) in Arirang – a semi-autobiographical doc in which he appeared to be having a breakdown
Film
It’s not the first time Hollywood has churned out a vacuum of a blockbuster, but there’s something especially disconcerting about Into Darkness’ hollowness.
Film
We rank the sweetest, saltiest and most downright toxic moms to ever grace the big screen.
Film
Because this movie follows a group of French teens who, a few years after Paris’s violent 1968, carry on the glamorous fight, you expect the title to foretell something dreamy: how naive we once were, etc
Film
Danish hairdresser Ida (Trine Dyrholm) has just completed her first round of breast cancer treatment

