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New Year's Eve 2013 | Mike Posner and Bad Boy Bill at the Hilton
The Chicago Hilton hotel hosted the latest iteration of its annual New Year's Eve party, where rapper Mike Posner performed for a crowd both well-dressed and bunnily-clad (thanks to Playboy, who had sent a few emissaries the event). Posner, sporting the familiar plain sweatshirt, rang in the new year with the support of Chicago house DJ Bad Boy Bill. Check the slideshow for photos from throughout the night.
2012: A photo review | Slideshow
As another year winds down and so many of us here at Time Out Chicago enjoy our (hard-earned!) holiday break, we, like so many, look back on where the past year has taken us, Googling quotes about time passing in hopes of inspiring profound reflection. But a quote is nothing in place of a picture, and with that in mind, we present a look back at 2012 as seen through our favorite online photos of the year.
Our 2012 year-in-review features plenty of shots from the established traditions that are synonymous with "Chicago"—events like Lolla, Pride, St. Patty's—but also some of the lesser-known, but no less "Chicago," happenings, like Baconfest. Actually, Baconfest might have been the most "Chicago" thing to happen all year. And of course, what would a look back on 2012 be without a return to every Chicagoan's favorite event—the NATO protests?
So before you flip the calendar, check the slideshow and look back on the year that was—and all the weird and awesome moments that make this city so thrilling, so often. Scan the crowds in these photos to see if you're a part of the memories, and if not, remember what Google tells us about native son Carl Sandburg: "Time is the coin in your life. It is the only coin you have, and only you can determine how it is spent." And maybe we'll see you in the photos next year.
The 10 craziest Chicago news stories of 2012
Our favorite photos from the magazine this year | 2012 year in review
As we close the book on another year, we here at the magazine look back on 12 months of great photography. From Santa Claus to sommeliers, from "DATE ME" to dumpster diving—and with a lovely photo series from Pleasant House Bakery (below) for good measure—check out all of our favorite photos that graced the covers and pages of Time Out Chicago this year.
Our editor's Top 25 Chicago cultural highlights of 2012
Best bars and drinks in the world | Local bars | Time Out
Believe it or not, Time Out does not serve up arts, culture and events only to the Windy City. We also have sister publications across the globe, from heavy-hitters like London and Paris to more tucked-away spots like Kuala Lumpur and Almaty (put away the atlas—those are in Malaysia and Kazakhstan, respectively). So thanks to that worldwide network of publications, staffed with ear-to-the-ground, no-stone-left-unturned writers, we offer this definitive selection of quintessential drinking experiences from the Time Out cities of the world.
City: Abu Dhabi, UAE
Quintessential drink: A jelly martini at Ray's Bar
Soak up heart-stopping views of the Emirati capital from the 62nd floor of the chic Jumeirah at Etihad Towers hotel. Then soak up a jelly martini from Ray's Bar's lengthy drinks menu—sharp and fruity with little cubes of jelly bobbing about, it packs a potent punch...
Plushly decorated and intimately lit, Ray's Bar exudes Humphrey Bogart white-tux class in a slightly space-age setting. The bartenders are, as you'd expect, a talented bunch, mixing drinks with confidence and flair. You'll find they are more than willing to stir up something bespoke for you—if you engage them in a conversation about your favorite cocktail or preferred flavors. Beyond cocktails, the pop-art styled drinks menu is extensive, offering Champagne, wines and spirits for the less adventurous.
The bar's perch on 62nd floor of the hotel adds to the rarefied atmosphere, and it's perhaps the high-altitude panoramic views of the Arabian Gulf and rapidly evolving Abu Dhabi cityscape that make a jelly Martini at Ray's an essential AD experience. Low lighting lures guests into alcoves and behind velvet drapes, while a deep house soundtrack enlivens the ambiance on the weekend. Even in a city that values luxury, Ray’s Bar is in a class of its own.
–Anna McCormack, sub-editor, Time Out Abu Dhabi.
Jumeirah at Etihad Towers, Ras Al Akhdar, Abu Dhabi, UAE. +971 2 811 5555. www.jumeirah.com.
Discover more of Abu Dhabi's best bars
City: Abu Dhabi, UAE
Quintessential drink: A jelly martini at Ray's Bar
Soak up heart-stopping views of the Emirati capital from the 62nd floor of the chic Jumeirah at Etihad Towers hotel. Then soak up a jelly martini from Ray's Bar's lengthy drinks menu—sharp and fruity with little cubes of jelly bobbing about, it packs a potent punch...
Plushly decorated and intimately lit, Ray's Bar exudes Humphrey Bogart white-tux class in a slightly space-age setting. The bartenders are, as you'd expect, a talented bunch, mixing drinks with confidence and flair. You'll find they are more than willing to stir up something bespoke for you—if you engage them in a conversation about your favorite cocktail or preferred flavors. Beyond cocktails, the pop-art styled drinks menu is extensive, offering Champagne, wines and spirits for the less adventurous.
The bar's perch on 62nd floor of the hotel adds to the rarefied atmosphere, and it's perhaps the high-altitude panoramic views of the Arabian Gulf and rapidly evolving Abu Dhabi cityscape that make a jelly Martini at Ray's an essential AD experience. Low lighting lures guests into alcoves and behind velvet drapes, while a deep house soundtrack enlivens the ambiance on the weekend. Even in a city that values luxury, Ray’s Bar is in a class of its own.
–Anna McCormack, sub-editor, Time Out Abu Dhabi.
Jumeirah at Etihad Towers, Ras Al Akhdar, Abu Dhabi, UAE. +971 2 811 5555. www.jumeirah.com.
Discover more of Abu Dhabi's best bars
This week's cover story | Chicago's hottest trainers
Here's a sneak peek at what's coming up in this week's Time Out Chicago, on newsstands tomorrow:
- Personal trainers are supposed to inspire you to look your best, so their own bods had better be damn fine. We found six trainers that fit the bill—they look like they stepped out of Totally Shredded! magazine (that publication doesn't exist, but it should). Check them out, then vote for your favorite. But hurry: Voting ends January 8! The winner will be crowned in the January 14 issue.
- Chances are some of your Facebook friends or Twitter tweeps are constantly posting about their "amaaaaaaazing workout that just kicked my ass!!!!" Chances are also good they're going on about one of the five fitness regimens that have achieved cult status in the past few months or years. What's the fuss? We had a newbie try each of the five workouts—Flywheel, CrossFit, RowFit, Shred415 and CorePower Yoga—and report whether they became addicted.
- Speaking of addiction, Jonathan Eig has something to confess: He was a compulsive adherent to his Nike+ FuelBand, until he found the courage to rid himself of it.
Things to do in Chicago with out-of-town guests | Staff picks
For many Chicagoans, the holidays mark a joyous time when the entire family comes together in our midwestern metropolis; gifts are exchanged, hearths are lit, nog consumed, and all is right with the world. But then the holidays end, those relatives linger for a few more days, and thus another holiday tradition begins: schlepping your guests around to all of Chicago's favorite tourist traps. But since the Skydeck's price alone is enough to induce vertigo, and because no one should have to go shopping on Michigan Avenue again, the editorial staff at Time Out Chicago has put together its list of our own go-to spots. Our hope is that we can save you from depleting your wallet—and your soul—this holiday season. And guess what? Not one of them takes you to Navy Pier:
Honky Tonk Happy Hour at the Empty Bottle.
Western Swing is probably not the first thing that comes to mind when
tourists think of Chicago. But a two-step to the sweet twang of the
Hoyle Brothers (after a shot or two of bourbon-flavored liquid
courage, naturally) is one of the best "neighborhood" experiences for
21-and-older visitors—young and old. Seriously, bring your volume-
tolerant grandparents.—Erin Osmon, associate Music editor
Fridays at Empty Bottle, 1035 N Western Ave, 773-276-3600.
George Saunders | Interview outtakes
I recently spoke with writer George Saunders about his Chicago background, inventive use of humor and his latest collection, Tenth of December. Here's more from our conversation.
All of your previous books are titled after places from those respective collections—CivilWarLand, Pastoralia, In Persuasion Nation. Does Tenth of December suggest a thematic departure?
I literally never noticed that until you just mentioned it. [Laughs] At the end, I just look at the titles for the one that looks the best on the page, that sounds best and also that somehow triggers one little extra beat of meaning. Tenth of December is sort of neutral in a way. I just love the way it looks and the way it sounds. Sometimes I think you're just trying not to step into shit.
Tenth of December is your first story collection in six years. What took so long?
When The Braindead Megaphone, my essay book, came out, it got more attention than I would usually get for fiction. And at the time, I was doing a lot of side pieces. Developmentally, I had hit a bit of a roadblock in fiction, but then at some point I started winnowing those things out until I was just writing fiction.
The prose is more stripped down in Tenth of December. Was that intentional, or just the natural progression of your writing style?
Just the natural progression. It's not even conceptual; it's just like, “I've been in this room awhile. I've gotta get out.”
The characters in Tenth often face some sort of moral or ethical dilemma—personal shortcomings or literally rescuing someone’s life. Consequently, there are subtle religious references throughout. Is religion something that was part of your life?
Yeah, as a kid I was a real strong Catholic. Once you have that when you're young, it makes a space in your heart. Our minds, our perceptual apparatuses as they come from the factory, are inefficient to cope with or perceive the bigger thing. So you turn to whatever you turn to, but the notion of, “Whatever my senses tell me, that's all I have to tell.” That seems, like, totally crazy.
Any more ventures into nonfiction, or other projects?
No, I had a couple offers, but I'm really trying to just focus on the fiction and see what happens. I’ve had great experiences getting deeper into my fiction when I don't do anything else, so I'm kind of intrigued by that. I remember when I was writing my first book and didn't have time to do anything else. Every day was just, you know, spending half an hour or something in fiction. So I’m gonna try to avoid distractions. As you get older there’s some kind of weird subconsciousness that’s really powerful, you know? And it’s at this point when it gets to be like a really well-trained horse or something. It's doing things I don't ask it to do on its own. So I'll just let this thing do what it likes, and try to get out of the way as much as I can. I think that means keeping my writing life simple and keeping my real life simple and trying to really give that thing the chance to get out and run a little bit.
So what's next?
There’s a pretty good tour in the spring. And I just started working on a new thing in September. I'm just kind of toying with it a little bit. I don't know what it is yet. It's a little longer, but—we’ll see. Probably about March I'll start to really think about what the next thing is. But now I'm just trying to enjoy this book and not think too much about the next one because I tend to get really obsessive when I do, and then the tour won't be fun.
Pullman in the early stages of a major arts push
Pullman has always been known for its iconic architecture, but if all goes well in 2013, it could get a new identity as Chicago's next emerging artists' haven. The Pullman Civic Organization is collaborating with Chicago Neighborhood Initiatives and national arts organization Artspace to turn some of Pullman's abandoned buildings into live/work art spaces, studios, theaters and other cultural venues.
















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